Meditation and serenity for this lamp of the type "Toit du Monde": The contrast between the line worn-eaten stone that forms the base, the column with varied elements, the lampshade in Antaimoro paper and the frame in rosewood is an invitation to travel.

Formed with arched blocks, this combination of claustra will beautify magnificently an entry or a passage. The thick pieces of luminous glass underline the lines of it. The engravings of these thick pieces bring a fineness and additional attractive refinement touch. The two parts can be arranged in multiple ways.
 
See another photo in 'garden side'

Examples of designs in the engraved glass
cobblestone of Manta by Hoasa Ramampy:

Iris
White Water Lily
Poppy

A lamp from a Japanese inspiration like the centenary ones that accompany the churches, symbol of reception and reverence. It diffuses a mild light like a night light that will embellish together a patio, a garden and a yard. The heart open onto four sides constitutes the master piece of this work.

Pi is part of a whole series of stony, aged iron and glass wall lamps engraved by Hoasa Ramampy which give some effects of radiating light.

Granite-made bed : 54*35*9.5 cm / 21.3*13.8*3.7 "
Lantern with a framework in metal aged aspect
8 mm (0.3")glass engraved with 4 out of the 5 Tibetan elements in stylised Outchen: water, fire, air, ether, and Antaimoro paper.

Iron taken as leather, a unique light which decorates walls, floors and ceilings, for the passionate persons of post industrial processed "in an ethnic way".

Let us talk about the personality for this type of stand lamp. Contrast and continuity of lines and substances sign their unique feature. The lampshades made of vegetal fibres of Bakoly Ramanitra give a soft and warm light.

Ondine : The shape continuity refers to a feeling of flight and lightness.

This figure with multiple suggestions brings a stability that gives a feeling of serenity.

See the photo 'Salon'

A set of surfaces and lines that has been revealed little by little, an enigmatic feeling.

A centre and one axis, it is more or less symmetry on the way of prospect illusions or supra-natural flexibility. The lampshade can freely revolve.

Created together on Saturday 7th July 2007 – 07/07/07 – for those who like the figure 7. The lamps 14 in double 7 have all a particular and original layout of the two 7, different for each of them. Many varieties in this framework, and much success also for these very nice lamps. The lampshades are freely interchangeable.

See also the 7 shaped table and console.

This lamp with two lampshades is a fancy of great model. The light is filtered by the flocked raffia-made paper dyed by Frédéric Viala. The base, a stone in hanging balance, has a very good stability that undermines the visual impression.